about book:
Some stories live forever...
Sage Singer is a baker. She works through the night, preparing the day's breads and pastries, trying to escape a reality of loneliness, bad memories, and the shadow of her mother's death. When Josef Weber, an elderly man in Sage's grief support group, begins stopping by the bakery, they strike up an unlikely friendship. Despite their differences, they see in each other the hidden scars that others can't see, and they become companions.
Everything changes on the day that Josef confesses a long-buried secret - one that nobody else in town would ever suspect - and asks Sage for an extraordinary favor. If she says yes, she faces not only moral repercussions, but potentially legal ones as well. With her own identity suddenly challenged, and the integrity of the closest friend she's ever had clouded, Sage begins to question the assumptions and expectations she's made about her life and her family. When does a moral choice become a moral imperative? And where does one draw the line between punishment and justice, forgiveness and mercy?
In this searingly honest novel, Jodi Picoult gracefully explores the lengths we will go in order to protect our families and to keep the past from dictating the future.
my thoughts:
Interesting premise, fascinating storytelling, and unforgettable characters. All in all, The Storyteller by Jodi Picoult proved to be a great read.
Sage is a young woman who has a scar on her face that makes her feel immensely insecure - so much so, that she works as a baker (hidden in the kitchen baking all night long) and is having an affair with a married man (the funeral director from her mother's funeral). This is a woman who does not believe she deserves good things to happen to her. She is filled with so much guilt regarding her mother's death that she continues to attend a grief support group (three years after her mother's passing.) Life for Sage is stunted and filled with loneliness. However, everything changes the day she befriends Josef Weber.
A recent addition to Sage's grief support group, Weber keeps to himself. He's an elderly man who frequently visits the bakery Sage works at. He usually brings his little dog and spends his time writing in a small black notebook. According to the people in town, Weber is as nice as they come - he was a German teacher at the local high school, a former little league coach, and a real asset to the community. Except that he really isn't that nice of a man. In fact, he is the complete opposite of nice - he is cruel beyond belief. How do we find this out? Well, one day Josef decides to spill the beans about his past to Sage. And let me just say that his secret is HUGE and one that will completely change Sage forever.
Picoult explores the questions of morality, history, family, friendship and so much more with her book The Storyteller. She writes a captivating story that is filled with such vividness and authenticity, that you can't help but feel shattered after reading some of the passages in this book. As for the story that she includes within her story - the one written by Minka (Sage's grandmother) - it is clearly an allegory for the brutal and ugly reality happening to and around Minka. I have to admit to really enjoying Minka's story - it was so graphic and bloody, but also emotionally compelling. This novel yanked at my heart strings and pulled me in deep. I found that I could only read bits of the book at times, because it was just too much to take in (my heart kept breaking). This is one book that I won't soon forget.
I would definitely recommend The Storyteller to fans of Picoult's works and fans of fiction (specifically, books that deal with WWII). You will LOVE this book!!!
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Showing posts with label Jodi Picoult. Show all posts
Showing posts with label Jodi Picoult. Show all posts
Wednesday, January 29, 2014
Monday, April 11, 2011
Sing You Home by Jodi Picoult
From book flap:
Every life has a soundtrack. All you have to do is listen.
Music has set the tone for most of Zoe Baxter's life. There's the melody that reminds her of the summer she spent rubbing baby oil on her stomach in pursuit of the perfect tan. A dance beat that makes her think of using a fake ID to slip into a nightclub. A dirge that marked the years she spent trying to get pregnant.
For better or worse, music is the language of memory. It is also the language of love.
In the aftermath of a series of personal tragedies, Zoe throws herself into her career as a music therapist. When an unexpected friendship slowly blossoms into love, she makes plans for a new life, but to her shock and inevitable rage, some people - even those she loves and trusts most - don't want that to happen.
Sing You Home is about identity, love, marriage, and parenthood. It's about people wanting to do the right thing for the greater good, even as they work to fulfill their own personal desires and dreams. And it's about what happens when the outside world brutally calls into question the very thing closest to our hearts: family.
My thoughts:
Typical Picoult. Drama based story (topic ripped from headlines) that depends on a court room trial to lead us to the end. And yet, knowing how formulaic her writing and story lines are, I once again picked up a Picoult book and read it. Will I ever learn? Now don't get me wrong, the book was good - it had solid writing and a good plot. And I did finish reading it in one day, so obviously I was immersed in the story. However, its the type of book that I compare to beach/airport reads - the books you read, but forget about. You know what I mean - fluff books. Picoult's works are fluff reads to me, which sometimes, is just what I need. And I needed a fluff book, since I wasn't so sure what I wanted to dive into next.
Now, I'm not going to summarize the story and go into any further detail as to how much or how little I liked it. Instead I wanted to mention Picoult's beef with literary critics. Apparently, when Franzen's book, Freedom, came out to glowing reviews, Picoult wasn't too happy about it. She felt that his work was being taken seriously and was receiving oodles of attention, whilst her work was being ignored. You see, Picoult's books are considered commercial fiction (it's often tagged as women's fiction) and as a result she doesn't receive any literary accolades. She's financially successful because of her books and they do top bestseller lists, which means that they get read by a lot of people - yet, the literary critics don't exactly give her the kudos they would and have given to Franzen. And the thing is, according to Picoult, her work focuses on the same themes that the so-called literary authors' works tend to focus on. So, what is it exactly that separates her work from theirs? She considered it could be a gender issue, which wouldn't really surprise me considering how often women writers and their works are neglected by literary critics. As someone who majored in both English and Women's Studies, my research has always focused on Chicana literature and Chicana feminism - two genres that are often ignored - so I can understand why Picoult would think her work was being left out (on the gender level). However, after having read several of her books I can honestly say that it is not about her gender. I love chick lit and women's lit and commercial fiction and all that jazz, but I don't get the same things from it that I would from a Jean Rhys or Sandra Cisneros novel. And yes, I do know that chick lit does deal with issues similar to a Jean Rhys book, but the way that Rhys would tackle these issues is on another level compared to the way that Picoult would deal with them. Honestly, I don't care much for Franzen's work (this is based on my dislike for The Corrections), but I can appreciate his talent as a writer - his work clearly showcases his penchant for storytelling. As far as Picoult goes, well, her work is solid, but formulaic - it is the epitome of commercial fiction. Its the type of writing that satisfies you when you need a quick read. Its not the type of book that will impact you in such a way that it will alter your life. Nor is it the type of book that blows you away because the writing is beyond good. Its the type of book that if you lend it to a friend and never get it back, you won't get upset about it, because you've already forgotten about the book. What do you think? Am I right about Picoult's books? Or do you think Picoult's works should be considered literary fiction? All I know is that after remembering Picoult's complaints about not being taken seriously as a literary writer leaves me wondering why she continues to produce book after book devoted to the same formula (headline news drama, court room trial, happy/unhappy ending). Why doesn't Picoult try to produce quality instead of quantity?
Anyhow, I'm off to read something new. Good riddance to Picoult (I must stop reading her work, its like a bad habit).
Every life has a soundtrack. All you have to do is listen.
Music has set the tone for most of Zoe Baxter's life. There's the melody that reminds her of the summer she spent rubbing baby oil on her stomach in pursuit of the perfect tan. A dance beat that makes her think of using a fake ID to slip into a nightclub. A dirge that marked the years she spent trying to get pregnant.
For better or worse, music is the language of memory. It is also the language of love.
In the aftermath of a series of personal tragedies, Zoe throws herself into her career as a music therapist. When an unexpected friendship slowly blossoms into love, she makes plans for a new life, but to her shock and inevitable rage, some people - even those she loves and trusts most - don't want that to happen.
Sing You Home is about identity, love, marriage, and parenthood. It's about people wanting to do the right thing for the greater good, even as they work to fulfill their own personal desires and dreams. And it's about what happens when the outside world brutally calls into question the very thing closest to our hearts: family.
My thoughts:
Typical Picoult. Drama based story (topic ripped from headlines) that depends on a court room trial to lead us to the end. And yet, knowing how formulaic her writing and story lines are, I once again picked up a Picoult book and read it. Will I ever learn? Now don't get me wrong, the book was good - it had solid writing and a good plot. And I did finish reading it in one day, so obviously I was immersed in the story. However, its the type of book that I compare to beach/airport reads - the books you read, but forget about. You know what I mean - fluff books. Picoult's works are fluff reads to me, which sometimes, is just what I need. And I needed a fluff book, since I wasn't so sure what I wanted to dive into next.
Now, I'm not going to summarize the story and go into any further detail as to how much or how little I liked it. Instead I wanted to mention Picoult's beef with literary critics. Apparently, when Franzen's book, Freedom, came out to glowing reviews, Picoult wasn't too happy about it. She felt that his work was being taken seriously and was receiving oodles of attention, whilst her work was being ignored. You see, Picoult's books are considered commercial fiction (it's often tagged as women's fiction) and as a result she doesn't receive any literary accolades. She's financially successful because of her books and they do top bestseller lists, which means that they get read by a lot of people - yet, the literary critics don't exactly give her the kudos they would and have given to Franzen. And the thing is, according to Picoult, her work focuses on the same themes that the so-called literary authors' works tend to focus on. So, what is it exactly that separates her work from theirs? She considered it could be a gender issue, which wouldn't really surprise me considering how often women writers and their works are neglected by literary critics. As someone who majored in both English and Women's Studies, my research has always focused on Chicana literature and Chicana feminism - two genres that are often ignored - so I can understand why Picoult would think her work was being left out (on the gender level). However, after having read several of her books I can honestly say that it is not about her gender. I love chick lit and women's lit and commercial fiction and all that jazz, but I don't get the same things from it that I would from a Jean Rhys or Sandra Cisneros novel. And yes, I do know that chick lit does deal with issues similar to a Jean Rhys book, but the way that Rhys would tackle these issues is on another level compared to the way that Picoult would deal with them. Honestly, I don't care much for Franzen's work (this is based on my dislike for The Corrections), but I can appreciate his talent as a writer - his work clearly showcases his penchant for storytelling. As far as Picoult goes, well, her work is solid, but formulaic - it is the epitome of commercial fiction. Its the type of writing that satisfies you when you need a quick read. Its not the type of book that will impact you in such a way that it will alter your life. Nor is it the type of book that blows you away because the writing is beyond good. Its the type of book that if you lend it to a friend and never get it back, you won't get upset about it, because you've already forgotten about the book. What do you think? Am I right about Picoult's books? Or do you think Picoult's works should be considered literary fiction? All I know is that after remembering Picoult's complaints about not being taken seriously as a literary writer leaves me wondering why she continues to produce book after book devoted to the same formula (headline news drama, court room trial, happy/unhappy ending). Why doesn't Picoult try to produce quality instead of quantity?
Anyhow, I'm off to read something new. Good riddance to Picoult (I must stop reading her work, its like a bad habit).
Wednesday, December 30, 2009
SALEM FALLS BY JODI PICOULT

Wednesday, October 21, 2009
The Tenth Circle - Jodi Picoult

I don't really even care to talk about the book anymore, but I suppose I should provide some sort of summary, so here goes: Trixie Stone is date raped at a friend's party and the only people that believe her, are her parents. The entire town believes that Jason Underhill is innocent and that Trixie cried rape because she regretted having sex with Jason. Her parents, David and Laura, are having marital problems of their own - Laura has been having an affair with one of her graduate students. The cops believe that Jason is innocent, but continue to investigate the rape case, until Jason is found dead beneath a bridge. At first glance it appears to have been a suicide, but the more evidence that appears, it is soon apparent that Jason Underhill was not alone at the bridge and that someone pushed him over. David admits to fighting with Jason the night of his death, but does not confess to murder. Trixie is tired of everything going on at home so she runs away to Alaska (where David is originally from). Laura and David slowly begin to communicate again and find themselves searching for their daughter and praying she is safe. The detectives decide to follow the parents, believing they will be lead them to Trixie (whom they now believe to be behind Jason's murder). In Alaska, David confronts his past and is reunited with his family. The police arrest Trixie for Jason's murder and David confesses to the murder. Laura also confesses to the murder. In the end we find out that Laura was on the bridge that night and that Jason fell over the bridge and she tried to help him up, but wound up letting go of his hand. The end.
Okay, so that is over with. The only benefit from reading the Picoult book is that I can use it to cross another one off of the Clear Off Your Shelves reading challenge and the Fall/Winter Challenge - so, yay me!! Now, I can finish reading The Lace Reader. I still haven't finished S&S&Sea Monsters or In The Woods - truthfully, I'm just not into them at the moment, so, I suppose I will finish them whenever I get to them again. As for the 100 Mile Fitness Challenge - lets just say that I am a tad behind on my miles. I'm hoping to make them up this week!!
Ta for now and Happy Reading!!!
Tuesday, October 6, 2009
Handle With Care - Jodi Picoult

Sunday, September 13, 2009
My Sister's Keeper

Tuesday, September 8, 2009
The Pact

For a lighter read I am now about 1/4 way through Twenties Girl by Sophie Kinsella and I'll be picking up Sense and Sensibility afterward. Must get on with those challenges. Until the next post - Happy Reading!!
Thursday, July 23, 2009
Nineteen Minutes by Jodi Picoult

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