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Showing posts with label Lorna Dee Cervantes. Show all posts
Showing posts with label Lorna Dee Cervantes. Show all posts

Monday, April 1, 2013

National Poetry Month begins...NOW!

It's National Poetry Month and to celebrate I have decided to post poems on my blog throughout April.  I have a slew of favorites and just thought it would be nice to share them with you.  So, I hope you enjoy.

Freeway 280
by Lorna Dee Cervantes


Las casitas near the gray cannery,
nestled amid wild abrazos of climbing roses
and man-high red geraniums
are gone now. The freeway conceals it
all beneath a raised scar.  

But under the fake windsounds of the open lanes,
in the abandoned lots below, new grasses sprout,
wild mustard remembers, old gardens
come back stronger than they were,
trees have been left standing in their yards.
Albaricoqueros, cerezos, nogales . . .
Viejitas come here with paper bags to gather greens.
Espinaca, verdolagas, yerbabuena . . .

I scramble over the wire fence
that would have kept me out.
Once, I wanted out, wanted the rigid lanes
to take me to a place without sun,
without the smell of tomatoes burning
on swing shift in the greasy summer air.

Maybe it's here
en los campos extraños de esta ciudad
where I'll find it, that part of me
mown under like a corpse
or a loose seed.

Las casitas near the gray cannery, nestled amid wild abrazos of climbing roses and man-high red geraniums are gone now. The freeway conceals it all beneath a raised scar. - See more at: http://www.poets.org/viewmedia.php/prmMID/15602#sthash.OcRkPHV0.dpuf

Freeway 280

  by Lorna Dee Cervantes
Las casitas near the gray cannery,
nestled amid wild abrazos of climbing roses
and man-high red geraniums
are gone now.  The freeway conceals it
all beneath a raised scar.

But under the fake windsounds of the open lanes,
in the abandoned lots below, new grasses sprout,
wild mustard remembers, old gardens
come back stronger than they were,
trees have been left standing in their yards.
Albaricoqueros, cerezos, nogales . . .
Viejitas come here with paper bags to gather greens.
Espinaca, verdolagas, yerbabuena . . .

I scramble over the wire fence
that would have kept me out.
Once, I wanted out, wanted the rigid lanes
to take me to a place without sun,
without the smell of tomatoes burning
on swing shift in the greasy summer air.

Maybe it's here
en los campos extraños de esta ciudad
where I'll find it, that part of me
mown under
like a corpse
or a loose seed.
- See more at: http://www.poets.org/viewmedia.php/prmMID/15602#sthash.OcRkPHV0.dpuf

Freeway 280

  by Lorna Dee Cervantes
Las casitas near the gray cannery,
nestled amid wild abrazos of climbing roses
and man-high red geraniums
are gone now.  The freeway conceals it
all beneath a raised scar.

But under the fake windsounds of the open lanes,
in the abandoned lots below, new grasses sprout,
wild mustard remembers, old gardens
come back stronger than they were,
trees have been left standing in their yards.
Albaricoqueros, cerezos, nogales . . .
Viejitas come here with paper bags to gather greens.
Espinaca, verdolagas, yerbabuena . . .

I scramble over the wire fence
that would have kept me out.
Once, I wanted out, wanted the rigid lanes
to take me to a place without sun,
without the smell of tomatoes burning
on swing shift in the greasy summer air.

Maybe it's here
en los campos extraños de esta ciudad
where I'll find it, that part of me
mown under
like a corpse
or a loose seed.
- See more at: http://www.poets.org/viewmedia.php/prmMID/15602#sthash.OcRkPHV0.dpuf

Freeway 280

  by Lorna Dee Cervantes
Las casitas near the gray cannery,
nestled amid wild abrazos of climbing roses
and man-high red geraniums
are gone now.  The freeway conceals it
all beneath a raised scar.

But under the fake windsounds of the open lanes,
in the abandoned lots below, new grasses sprout,
wild mustard remembers, old gardens
come back stronger than they were,
trees have been left standing in their yards.
Albaricoqueros, cerezos, nogales . . .
Viejitas come here with paper bags to gather greens.
Espinaca, verdolagas, yerbabuena . . .

I scramble over the wire fence
that would have kept me out.
Once, I wanted out, wanted the rigid lanes
to take me to a place without sun,
without the smell of tomatoes burning
on swing shift in the greasy summer air.

Maybe it's here
en los campos extraños de esta ciudad
where I'll find it, that part of me
mown under
like a corpse
or a loose seed.
- See more at: http://www.poets.org/viewmedia.php/prmMID/15602#sthash.OcRkPHV0.dpuf

Monday, April 9, 2012

A Lorna Dee Cervantes Poem

POEM FOR THE YOUNG WHITE MAN WHO ASKED ME HOW I, AN INTELLIGENT, WELL-READ PERSON COULD BELIEVE IN THE WAR BETWEEN RACES
by Lorna Dee Cervantes

In my land there are no distinctions.
The barbed wire politics of oppression
have been torn down long ago.  The only reminder
of past battles, lost or won, is a slight
rutting in the fertile fields.

In my land
people write poems about love,
full of nothing but contented childlike syllables.
Everyone reads Russian short stories and weeps.
There are no boundaries.
There is no hunger, no
complicated famine or greed.

I am not a revolutionary.
I don't even like political poems.
Do you think I can believe in a war between races?
I can deny it.  I can forget about it
when I'm safe,
living on my own continent of harmony
and home, but I am not
there.

I believe in revolution
because everywhere the crosses are burning,
sharp-shooting goose-steppers round every corner,
there are snipers in the schools...
(I know you don't believe this.
You think this is nothing
but faddish exaggeration.  But they
are not shooting at you.)

I'm marked by the color of my skin.
The bullets are discrete and designed to kill slowly.
They are aiming at my children.
These are facts.
Let me show you my wounds:  my stumbling mind, my
"excuse me" tongue, and this
nagging preoccupation
with the feeling of not being good enough.

These bullets bury deeper than logic.
Racism is not intellectual.
I can not reason these scars away.

Outside my door
there is a real enemy
who hates me.

I am a poet
who yearns to dance on rooftops,
to whisper delicate lines about joy
and the blessings of human understanding.
I try.  I go to my land, my tower of words and
bolt the door, but the typewriter doesn't fade out
the sounds of blasting and muffled outrage.
My own days bring me slaps in the face.
Every day I am deluged with reminders
that this is not
my land
and this is my land.

I do not believe in the war between races

but in this country
there is war.