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Showing posts with label TSRC2010. Show all posts
Showing posts with label TSRC2010. Show all posts

Tuesday, June 1, 2010

Let Them Call It Jazz by Jean Rhys


Let Them Call It Jazz by Jean Rhys is short and brilliant.  It consists of three short stories about three lonely women suffering from various forms of depression: Let Them Call It Jazz,  Outside the Machine, The Insect World

Let Them Call It Jazz:

Selina is a young woman who has no money, no home and no idea of what to do next in her life.  She came to England with the intent of becoming a seamstress at a shop in London, but has had no luck getting hired.  Instead she finds herself kicked out of the bedsit she rents weekly and learns that her life savings (30 pounds) has been stolen.   While having a sandwich and coffee, she meets a man who provides her with a new place of residence.  He owns a house and has a vacancy available.  Reluctant at first, Selina soon finds herself living in a worn down flat, spending her nights drinking and dancing outside in the yard.  The next door neighbors are unfriendly towards her and constantly tell her to leave the area.  This tension grows and eventually the police are phoned  - her dark skin and foreign accent have made the neighbors suspicious and they accuse her of being a prostitute, a troublemaker and a disturbance to the neighborhood.  Unable to defend herself, Selina winds up in front of the local magistrate and eventually jail.  She feels isolated, victimized and completely abandoned by everyone and everything.  Her only solace is in a song she heard a young woman singing in prison - the Holloway song.  Selina believed that the woman was singing that song to her and that was how and why she wound up in that prison - to hear that song.  However, when Selina's song gets jazzed up and sold for cash, she is saddened - this song was her only connection to a place, to a reality.  But she soon realizes that she has nothing and this song is an example of the nothingness she owns and so she lets go of the song. 

Outside the Machine:

Inez Best is not good. She is in hospital having surgery and suffering from depression.  She is surrounded by women - and she hates women.  Unsure of how to react to everyone and everything, she just lays there at first and listens to the chatter surrounding her.  Observing the women, she soon finds herself disliking them more and more.  And she soon realizes that she needs to stay in the hospital longer, because she has nowhere to go once she leaves.  Plus, she enjoys spending the day in bed, eating lunch, reading books and not having to do anything else - its an escape from her reality.  She heals slowly every day and when she finally walks herself to the bathroom to wash up, she encounters Murphy (another fellow patient) who gets tackled by a nurse - apparently Murphy was going to attempt suicide in the lavatory.  All the women question Inez when she returns from the bathroom - it seems that Murphy has a husband and two small children, but is so unhappy with her life that she has been trying to kill herself for quite some time.  The women are appalled and disgusted by Murphy and think she should be hung.  Inez, on the other hand, connects with Murphy, because she has contemplated suicide before, too.  When it is time for Inez to finally leave, she is given some money by the Mrs. Tavernier, the old woman with whom she first spoke to upon entering the hospital ward.  Inez accepts the money and thanks the woman.  In her head, she tells herself that the amount people are willing to give - whether it be monetary or their own personal time - is never enough to truly help someone who is as sad and depressed as she is. 

The Insect World:

Audrey is reading a book called Nothing So Blue and it provides details about insects, like the jigger ( a sand flea).  She is living a flat she shares with her best friend, Monica.  They both work as typists in a government building.  Audrey likes to read - she prefers the written word to life.  She would rather immerse herself in a book than in her own personal reality.  We find Audrey getting upset over the way the sales woman at a store bullies her into buying a short dress that fits her too big.  We follow her home where she remembers that she has not eaten all day, but is already running late to meet her friend Roberta for tea.  At first glance, she is envious of Roberta for living in a cute cottage and opening the door in a floral housecoat and plopping herself down on the couch like a film star would have done.  However, when Audrey really looks at Roberta, she realizes that the floral housecoat is actually made of old curtains and that Roberta doesn't look too glamorous after all.  They begin to discuss the insects in the book that Audrey is reading and Roberta explains how the creepy jiggers are mere sand fleas and tells Audrey not to believe everything she reads.  Eventually Audrey gets home and finds Monica making dinner and blasting the radio.  They argue a bit and Audrey lays down to sleep. She gets woken up by Monica who tells her to stop screaming or they will be thrown out of their flat - apparently Audrey was screaming about jiggers. 

My thoughts:

All three short stories vividly show the various forms of depression that these women suffer and they ways in which they choose to handle it or ignore it. The writing is excellent and truly showcases what a talented author Rhys was.  Her ability to bring up so many different, but important issues in such a short space of time is amazing.  Some of the issues she touches upon (aside from mental illness) are: racism, sexism, economic status, social class and identity.  Rhys is also able to fully develop the characters and provide a background for them without disrupting the flow of the short story line's plot.  Her tone is somber and haunting - the essence of each character's mental state of mind.  Overall, I would highly recommend this little book - its the perfect introduction to Rhys' writing style.  Enjoy!

Happy Reading! I'm off to figure out what book to dive into next. Cheers!!

Hotel Iris by Yoko Ogawa


Description from book flap:

In a crumbling seaside hotel on the coast of Japan, quiet seventeen-year-old Mari works the front desk as her mother tends to the off-season customers.  When one night they are forced to expel a middle-aged man and a prostitute from their room, Mari finds herself drawn to the man's voice, in what will become the first gesture of a single long seduction.  In spite of her provincial surroundings, and her cool but controlling mother, Mari is a sophisticated observer of human desire, and she sees in this man something she has long been looking for.

The man is a proud if threadbare translator living on an island off the coast.  A widower, there are whispers around town that he may have murdered his wife.  Mari begins to visit him on his island, and he soon initiates her into a dark realm of both pain and pleasure, a place in which she finds herself more at ease even than the translator.  As Mari's mother begins to close in on the affair, Mari's sense of what is suitable and what is desirable are recklessly engaged.

My thoughts:

Wow. Ogawa has written another haunting novel.  I'm not sure what to write about this book, because truthfully there were times that I was rather shocked at the deplorable and violent manner in which Mari was treated by her companion, the translator.  Her first foray into an intimate relationship consisted of being tied up, hung by the ceiling, photographed, physically and verbally abused - all of which Mari craved and enjoyed.  So, why did I cringe whilst reading about this S&M relationship? Because Mari is seventeen and has never experienced unconditional love from anyone (except her father, who was an alcoholic that died rather suddenly in Mari's young life).  She believes she is ugly and undeserving of happiness and views her relationship with the translator as a means of escape from her stagnant life at the hotel; where her mother roughly brushes her hair every morning and constantly berates her for merely existing.  With no friends to talk with or hang out, Mari relishes the freedom she feels when she is with the translator.   And this translator takes advantage of Mari's naivete.  He engages this young lady by playing on her loneliness and desperation.  At first, he seems rather odd, but quiet and soft spoken.  There is a walk around town and a wave goodbye, which leads to a letter that implores Mari to please meet him again.  Once they are on his island and in his house, the atmosphere shifts and the translator is no longer kind - instead he becomes forceful and authoritative with regards to what he expects from Mari.  Its interesting to watch this relationship progress throughout the book and the ways in which Mari's demeanor changes, along with her feelings about her body and self.  I think that the introduction of the translator's nephew was an easy way to begin the ending of Mari's relationship with the translator. Of course, the ending is not what I expected.  I won't spoil the ending for you, but suffice it to say that the translator turns out to be just as ugly a person as I had figured out earlier.  As for Mari, I'm not sure what I feel towards her, except disappointment and pity.  In the end, these characters definitely captured my attention as did their story.  Ogawa is able to describe a scene so vividly that you can clearly picture Mari's thrill at deceiving her mother or the excitement she felt while reading the translator's letters tucked away behind the front desk when no one was looking.  The writing is solid and the tone is perfect at capturing the unpredictable shift of events throughout the novel.  I would definitely recommend this book to Ogawa fans.

Happy reading to all! I'm off to finish reading Jean Rhys', Let Them Call It Jazz.

By the by, this read counts towards two of my reading challenges: Bellezza's Japanese Literature Challenge 4 and CL's The Summer Reading Challenge 2010 - (Click on the links to find out more about each challenge, if you are interested in joining in on the reading fun).  Bazinga for me!